Tense, hoarse, sweaty, paranoid, frustrated, frustrating, belligerent, panicked, lost, pleading, apologetic, hopeful, 31 Knots were as turbulent and exhausting as ever on Trump Harm. It's hard to precisely explain how their music seems to happen to them rather than being something they themselves have created: less the bliss of the jam "losing yourself in the music" than it is a sudden panic-attack or a surge of semi-mystical and traumatic insight, though, again, there is none of the catharsis of thrash or hardcore. 31 Knots are pensive, watchful, dwelling on and within particular moments, mumbling through pockets of reprieve, subject to sudden surges of elation followed by regret and melancholy slumps; masturbation, political bile, sexual and social inadequacy, guilty insight, cryptic truths just beyond their grasp, "bitter ellipsis in search of a sentence".
Like Vampire Weekend if they'd ever had to pick through a skip for furniture.
Like Vampire Weekend if they'd ever had to pick through a skip for furniture.
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