Wednesday, December 25, 2013


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Now that every possible forgotten/neglected gem and genre has been brought to light and compiled/re-released/made available via youtube, raised from the darkness of obscurity, has the canon of great records been fundamentally altered? I mean there may have been some re-appraisal at the margin, but has it turned up anything of the magnitude of Rumours, for example, an album that sold millions of copies?

So we are more-or-less back where we started vis-a-vis the broad critical consensus ( best 100 X albums/tracks ever) but on more secure foundations?


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